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Artworks
Andy Warhol
Life Savers F.S. II 353, from Ads, 1985Screen print on Lenox Museum Board38 x 38 in
96.5 x 96.5 cmEdition of 190 plus 30 AP, 5 PP, 5 EP, 10 HC, 10 numbered in Roman numerals, 1 BAT, 30 TPSeries: AdsCopyright The ArtistAndy Warhol's 'Lifesavers' print from his Ads portfolio is a captivating representation of his fascination with consumer culture and commercial imagery. Created in 1985, this artwork is part of a...Andy Warhol's "Lifesavers" print from his Ads portfolio is a captivating representation of his fascination with consumer culture and commercial imagery. Created in 1985, this artwork is part of a series where Warhol appropriated and recontextualized advertisements, blurring the boundaries between fine art and mass-produced consumer goods.
The "Lifesavers" print features the iconic candy brand's logo, instantly recognizable in its circular shape and vibrant colors. Warhol's interpretation of the Lifesavers logo is both playful and provocative, as he amplifies its visual impact through repetition and bold colors.
Warhol's fascination with brands like Lifesavers stems from his belief that they were emblematic of American culture and society. By elevating these mundane and ubiquitous objects to the realm of fine art, Warhol challenged conventional notions of beauty and value, inviting viewers to reconsider the significance of everyday consumer products.
The Lifesavers print exemplifies Warhol's signature silkscreen technique, which he used to create multiple iterations of the same image with slight variations. This method allowed Warhol to replicate the slick and polished aesthetic of commercial advertising while infusing each print with his own artistic interpretation.
In addition to its visual appeal, the Lifesavers print raises questions about the nature of art and its relationship to consumerism. Warhol's use of mass-produced imagery challenges traditional notions of artistic originality and authenticity, prompting viewers to reconsider their perceptions of value and meaning in art.
Like much of Warhol's work, the Lifesavers print is both a critique and a celebration of consumer culture. Through his art, Warhol invites viewers to engage with the familiar and the mundane in new and unexpected ways, prompting them to reflect on the pervasive influence of advertising and branding in contemporary society.
Overall, Andy Warhol's "Lifesavers" print from his Ads portfolio is a striking example of his ability to transform everyday objects into objects of artistic fascination. Through his bold and colorful interpretation of the Lifesavers logo, Warhol invites viewers to see the beauty and complexity in the seemingly ordinary, challenging them to reconsider their perceptions of art and consumer culture.
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Andy Warhol, Ads F.S. II 350-359, 1985
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Andy Warhol, Apple Trial Proof TP 18/30 from Ads, 1985
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Andy Warhol, Blackglama F.S. II 351, from Ads, 1985
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Andy Warhol, Chanel Trial Proof TP 11/30 from Ads, 1985
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Andy Warhol, Van Heusen Ronald Reagan F.S. II 356, from Ads, 1985
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Andy Warhol, Volkswagen F.S. II 358, from Ads, 1985
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Andy Warhol, The New Spirit Donald Duck 357 from Ads, 1985
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Andy Warhol, Rebel Without A Cause: James Dean F.S. II 355, from Ads, 1985
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Andy Warhol, Mobil F.S. II 350, from Ads, 1985
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Andy Warhol, Paramount F.S. II 352, from Ads, 1985
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Andy Warhol, Apple Mac F.S. II 359 from Ads, 1985
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Andy Warhol, Blackglama Trial Proof 16/30 from Ads, 1985
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Andy Warhol, Chanel F.S. II 354 from Ads, 1985
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Andy Warhol, Life Savers Trial Proof TP 18/30 from Ads, 1985
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Andy Warhol, Van Heusen Ronald Reagan Trial Proof 23/30 from Ads, 1985
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Andy Warhol, Paramount Trial Proof TP 11/30 from Ads, 1985
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Andy Warhol, Mobil Trial Proof 11/30 from Ads, 1985
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Andy Warhol, Volkswagen Trial Proof TP 11/30 from Ads, 1985
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Andy Warhol, Rebel Without A Cause: James Dean Trial Proof TP 11/30 from Ads, 1985
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Andy Warhol, The New Spirit Donald Duck Trial Proof 11/30 from Ads, 1985
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