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Artworks
Andy Warhol
Mobil F.S. II 350, from Ads, 1985Screen print on Lenox Museum Board38 x 38 in
96.5 x 96.5 cmEdition of 190 plus 30 AP, 5 PP, 5 EP, 10 HC, 10 numbered in Roman Numerals, 1 BAT, 30 TPSeries: AdsCopyright The ArtistAndy Warhol's 'Mobil' print is a striking piece from his Ads portfolio, which showcases the artist's fascination with the omnipresence of corporate branding and the pervasive influence of consumer culture....Andy Warhol's "Mobil" print is a striking piece from his Ads portfolio, which showcases the artist's fascination with the omnipresence of corporate branding and the pervasive influence of consumer culture. Created in 1985, the Mobil print is a vivid representation of the iconic Mobil Oil logo set against a bold red background.
In this piece, Warhol captures the essence of corporate America, elevating the Mobil Oil logo to the status of art. By appropriating and recontextualizing the familiar symbol of the oil company, Warhol challenges viewers to reconsider their perceptions of advertising and its impact on society.
The Mobil print is emblematic of Warhol's larger exploration of commercial imagery and its role in shaping contemporary culture. Throughout his career, Warhol was drawn to the visual language of advertising, seeing it as a reflection of society's desires, aspirations, and values. In the Mobil print, he amplifies the aesthetic appeal of the Mobil Oil logo, transforming it into a bold and captivating image that commands attention.
Like many of Warhol's works, the Mobil print is created using his signature silkscreen technique, which involves transferring images onto canvas using stencils and ink. This method allows Warhol to replicate the slick and polished aesthetic of commercial advertising while adding his own artistic flair.
Through the Mobil print, Warhol raises questions about the nature of art and its relationship to commerce and mass media. By appropriating and reinterpreting advertisements, he challenges the distinction between high art and commercial imagery, blurring the lines between the two.
Moreover, the Mobil print serves as a commentary on the pervasive influence of corporations in contemporary society. By featuring the Mobil Oil logo prominently in his artwork, Warhol highlights the power and ubiquity of multinational corporations like Mobil, which play a significant role in shaping economic, political, and cultural landscapes.
Overall, Andy Warhol's Mobil print is a powerful commentary on consumer culture and the influence of corporate branding in contemporary society. Through his bold and provocative imagery, Warhol invites viewers to reconsider their relationship with advertising and the ways in which it shapes their perceptions and desires.
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Andy Warhol, Ads F.S. II 350-359, 1985
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Andy Warhol, Apple Trial Proof TP 18/30 from Ads, 1985
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Andy Warhol, Blackglama F.S. II 351, from Ads, 1985
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Andy Warhol, Chanel Trial Proof TP 11/30 from Ads, 1985
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Andy Warhol, Life Savers F.S. II 353, from Ads, 1985
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Andy Warhol, Van Heusen Ronald Reagan F.S. II 356, from Ads, 1985
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Andy Warhol, Volkswagen F.S. II 358, from Ads, 1985
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Andy Warhol, The New Spirit Donald Duck 357 from Ads, 1985
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Andy Warhol, Rebel Without A Cause: James Dean F.S. II 355, from Ads, 1985
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Andy Warhol, Paramount F.S. II 352, from Ads, 1985
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Andy Warhol, Apple Mac F.S. II 359 from Ads, 1985
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Andy Warhol, Blackglama Trial Proof 16/30 from Ads, 1985
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Andy Warhol, Chanel F.S. II 354 from Ads, 1985
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Andy Warhol, Life Savers Trial Proof TP 18/30 from Ads, 1985
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Andy Warhol, Mobil Trial Proof 11/30 from Ads, 1985
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Andy Warhol, Van Heusen Ronald Reagan Trial Proof 23/30 from Ads, 1985
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Andy Warhol, Rebel Without A Cause: James Dean Trial Proof TP 11/30 from Ads, 1985
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Andy Warhol, Paramount Trial Proof TP 11/30 from Ads, 1985
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Andy Warhol, Volkswagen Trial Proof TP 11/30 from Ads, 1985
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Andy Warhol, The New Spirit Donald Duck Trial Proof 11/30 from Ads, 1985
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