Banksy
Grannies (Unsigned), 2006
Screen print
Unsigned
Unsigned
22 x 29 7/8 in
56 x 76 cm
56 x 76 cm
Edition of 500
Series: Grannies
Copyright The Artist
Banksy’s Grannies screen print that was released and published in 2006 by Pictures on Walls in a signed edition of 150 and an unsigned edition of 500 as well as a rare hand-finished version of just 11. The work expertly showcases Banksy use of juxtaposition and humour within the works subverting the expectations and notions of the viewer. The work is striking for its use of irony and wit and, in Grannies, we see two stereotypical old ladies presumably in their living room knitting. The realism of this typical setting is broken by the slogans on the grannies are knitting. The figure on the left is knitting the phrase “Punk is Dead” and the grannie on the right “Thug Life”. Punk is Dead is often attributed to the British punk band Crass, who reportedly said it in 1978. The slogan can be seen to refer to the commercialisation of the movement - much like the commercialisation of Banksy’s own work. “Thug Life” references California rapper and Hip Hop legend Tupac Shakur. The work can be read as a commentary on how artistic movements, whilst originating in the underground, usually become part of the very establishment they critique. Perhaps, in this work, Banksy’s fear for his own career can be seen?
"Banksy's Grannies" is an intriguing and humorously subversive artwork by the renowned street artist Banksy, known for his satirical and politically charged art. This particular piece diverges somewhat from his usual urban and political commentary, instead offering a whimsical and slightly irreverent take on the theme of aging and societal expectations.
Created in 2006, "Grannies" is a screen print depicting two elderly women, traditionally dressed, seated comfortably in armchairs. However, contrary to the usual depictions of grandmothers engaging in stereotypically sedate activities, these women are shown knitting controversial text: one sweater reads "PUNK'S NOT DEAD," and the other "THUG FOR LIFE." This juxtaposition of the expected image of demure, elderly women with messages associated with youth rebellion and counterculture is classic Banksy – humorous, surprising, and subtly challenging societal norms.
The artwork plays on the contrast between the perceived innocence and conservatism of the elderly and the rebellious, anti-establishment spirit of punk and hip-hop cultures. In doing so, Banksy is not only poking fun at stereotypes about aging but also highlighting the often-overlooked complexity and individuality of older people.
The use of knitting in the artwork is particularly poignant. Knitting is traditionally seen as a passive, gentle hobby, often associated with older women. By having the grannies knit edgy statements, Banksy turns a clichéd image on its head, suggesting that rebellion and non-conformity are not exclusive to the young.
"Banksy's Grannies" is also notable for its aesthetic style. The monochromatic stencil technique, a hallmark of Banksy's work, lends the piece a stark, graphic quality that contrasts with the homely, comforting image of grandmothers in armchairs. This striking visual presentation, combined with the unexpected content, makes "Grannies" a memorable and thought-provoking piece.
Overall, "Banksy's Grannies" is a prime example of Banksy's ability to blend humor with social commentary. The artwork challenges viewers to reconsider their assumptions about age, rebellion, and the stereotypes that society often imposes on different groups.
Created in 2006, "Grannies" is a screen print depicting two elderly women, traditionally dressed, seated comfortably in armchairs. However, contrary to the usual depictions of grandmothers engaging in stereotypically sedate activities, these women are shown knitting controversial text: one sweater reads "PUNK'S NOT DEAD," and the other "THUG FOR LIFE." This juxtaposition of the expected image of demure, elderly women with messages associated with youth rebellion and counterculture is classic Banksy – humorous, surprising, and subtly challenging societal norms.
The artwork plays on the contrast between the perceived innocence and conservatism of the elderly and the rebellious, anti-establishment spirit of punk and hip-hop cultures. In doing so, Banksy is not only poking fun at stereotypes about aging but also highlighting the often-overlooked complexity and individuality of older people.
The use of knitting in the artwork is particularly poignant. Knitting is traditionally seen as a passive, gentle hobby, often associated with older women. By having the grannies knit edgy statements, Banksy turns a clichéd image on its head, suggesting that rebellion and non-conformity are not exclusive to the young.
"Banksy's Grannies" is also notable for its aesthetic style. The monochromatic stencil technique, a hallmark of Banksy's work, lends the piece a stark, graphic quality that contrasts with the homely, comforting image of grandmothers in armchairs. This striking visual presentation, combined with the unexpected content, makes "Grannies" a memorable and thought-provoking piece.
Overall, "Banksy's Grannies" is a prime example of Banksy's ability to blend humor with social commentary. The artwork challenges viewers to reconsider their assumptions about age, rebellion, and the stereotypes that society often imposes on different groups.
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