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Banksy, Festival (Destroy Capitalism) (Unsigned), 2006

Banksy

Festival (Destroy Capitalism) (Unsigned), 2006
Screen print
22 x 29 7/8 in
56 x 76 cm
Edition of 500
Series: Festival
Copyright The Artist
View on a Wall
Festival, also know as Destroy Capitalism, is a 2006 screen print by Bansky that was released as a signed edition of 150 and an unsigned edition of 600. Festival is one of the best examples of Banksy’s use of irony with the work satirizing capitalism and consumerism. In the scene, we see a group of people queuing up to buy anti-capitalist t-shirts that says “Destroy Capitalism” at a music festival and are being charged $30 dollars to do so, In the queue are figures traditionally associated with anti-establishment views including a punk in leather jacket and mohawk hair cut next to a selection of typical festival goers. Ironically, they have became part of the very system that they are trying to rally against suggesting the hypocrisy of phoniness of those who get behind causes without understanding them. The mass produce t-shirt ands a pop of red, a nod towards communist red, as the stencil like figure stand on a beige background. The print illustrates the power that capitalism holds even for its most fervent opponents and how through the current socio-economic model we all participate in the exploitation that is capitalism even unwillingly or unknowingly. The print series was originally released as part of Banksy's Barely Legal exhibition portfolio, named after his famous exhibition, which took place in Los Angeles in 2006.
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Banksy, the elusive and pseudonymous street artist, has gained international acclaim for his thought-provoking and often politically charged artwork. While Banksy is primarily known for his public murals and installations, he has also ventured into the world of prints, allowing a wider audience to access and appreciate his work.

Banksy prints are reproductions of the artist's original creations, typically made using various printmaking techniques such as screen printing or lithography. These prints serve as a means for Banksy to reach a broader audience beyond those who can encounter his street art in person. They also offer an opportunity for art enthusiasts to own a piece of Banksy's work without having to acquire a large-scale mural or installation.

One of the most famous Banksy prints is arguably "Girl with a Balloon," which features a young girl reaching out toward a red, heart-shaped balloon. This image has become iconic and has been reproduced in various forms, including prints. Another notable print is "Flower Thrower," depicting a rioter preparing to throw a bunch of flowers instead of a Molotov cocktail. Banksy's prints often carry a strong message or commentary on societal issues, combining humor, wit, and social critique.

The limited edition nature of Banksy prints adds to their allure. Many of his prints are released in limited quantities, contributing to their collectible and valuable status. The limited availability, combined with Banksy's mysterious identity, has led to a significant demand for his prints in the art market.

However, the authenticity of Banksy prints can be a subject of scrutiny due to the prevalence of unauthorized reproductions. To address this, Banksy's authentication body, Pest Control, was established to verify the authenticity of his works. Pest Control issues certificates of authenticity for authorized Banksy prints, helping collectors ensure the legitimacy of their acquisitions.

Banksy's prints play a crucial role in making his art more accessible to a wider audience, bridging the gap between street art and traditional art markets. The popularity and significance of Banksy prints highlight the enduring impact of his thought-provoking and socially relevant imagery, making him a notable and influential figure in the contemporary art scene.


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