In Damien Hirst's evocative artwork Corned Beef, a standout piece within his series The Last Supper, the artist intricately blends pharmaceutical imagery with culinary symbolism to provoke contemplation on faith, sustenance, and cultural connotations. Departing from conventional pharmaceutical labels, the artwork presents a bold departure with the phrase Corned Beef emblazoned on the packaging in lieu of a typical drug name.

This deliberate juxtaposition of pharmaceutical aesthetics with a mundane culinary reference like Corned Beef invites viewers to delve into layers of interpretation. The ubiquitous presence of corned beef in culinary traditions across cultures imbues the artwork with a sense of familiarity and cultural resonance. By transposing this culinary staple onto pharmaceutical packaging, Hirst prompts viewers to reconsider the boundaries between nourishment, healing, and the rituals of daily life.

Furthermore, the inclusion of Hirst's own name or brand in place of pharmaceutical manufacturers' identities adds a thought-provoking dimension to the artwork. It encourages viewers to contemplate the role of artistic authorship and commercial branding in shaping perceptions of value and authenticity. Through Corned Beef, Hirst sparks a dialogue on the pervasive influence of consumer culture on beliefs and behaviors, prompting viewers to critically examine the ways in which everyday objects and symbols shape our understanding of faith and salvation.