Damien Hirst
Colour Chart H2, 2017
Giclée print with UV spot varnish on aluminum panel
31 1/2 x 62 5/8 in
80 x 159 cm
80 x 159 cm
Edition of 250
Series: Colour Chart
Copyright The Artist
Damien Hirst's Colour Chart H-2 print is a striking example of the artist's fascination with color and its manipulation within the realm of contemporary art. Created in 2017, this print...
Damien Hirst's Colour Chart H-2 print is a striking example of the artist's fascination with color and its manipulation within the realm of contemporary art. Created in 2017, this print belongs to Hirst's larger series of Colour Chart works, which explore the concept of color theory and its role in visual perception.
At first glance, Colour Chart H-2 may appear as a simple arrangement of colored squares. However, upon closer inspection, the meticulous attention to detail becomes apparent. Each square is precisely defined and saturated with vibrant hues, creating a mesmerizing visual effect that captivates the viewer's attention.
Hirst's use of the color chart format is significant in several ways. On one level, it references the tradition of color charts used in various industries, such as graphic design, printing, and manufacturing, to standardize color reproduction. By appropriating this format into the realm of fine art, Hirst raises questions about the relationship between art and commerce, as well as the subjective nature of color perception.
Furthermore, Colour Chart H-2 can be seen as a commentary on the nature of abstraction and representation in art. While the squares themselves are abstract forms, they also evoke associations with familiar objects and experiences, such as paint swatches or pixels on a digital screen. In this way, Hirst blurs the boundaries between abstraction and representation, inviting viewers to reconsider their understanding of visual language and interpretation.
The title of the print, Colour Chart H-2, further emphasizes its status as a standardized object. The use of alphanumeric characters suggests a systematic approach to categorization and classification, echoing Hirst's interest in the scientific and mathematical principles underlying art and aesthetics.
Overall, Damien Hirst's Colour Chart H-2 print is a thought-provoking exploration of color, perception, and representation. Through his meticulous arrangement of colored squares, Hirst challenges viewers to reconsider their assumptions about the nature of art and the role of color in shaping our visual experience.
At first glance, Colour Chart H-2 may appear as a simple arrangement of colored squares. However, upon closer inspection, the meticulous attention to detail becomes apparent. Each square is precisely defined and saturated with vibrant hues, creating a mesmerizing visual effect that captivates the viewer's attention.
Hirst's use of the color chart format is significant in several ways. On one level, it references the tradition of color charts used in various industries, such as graphic design, printing, and manufacturing, to standardize color reproduction. By appropriating this format into the realm of fine art, Hirst raises questions about the relationship between art and commerce, as well as the subjective nature of color perception.
Furthermore, Colour Chart H-2 can be seen as a commentary on the nature of abstraction and representation in art. While the squares themselves are abstract forms, they also evoke associations with familiar objects and experiences, such as paint swatches or pixels on a digital screen. In this way, Hirst blurs the boundaries between abstraction and representation, inviting viewers to reconsider their understanding of visual language and interpretation.
The title of the print, Colour Chart H-2, further emphasizes its status as a standardized object. The use of alphanumeric characters suggests a systematic approach to categorization and classification, echoing Hirst's interest in the scientific and mathematical principles underlying art and aesthetics.
Overall, Damien Hirst's Colour Chart H-2 print is a thought-provoking exploration of color, perception, and representation. Through his meticulous arrangement of colored squares, Hirst challenges viewers to reconsider their assumptions about the nature of art and the role of color in shaping our visual experience.
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