In Damien Hirst's thought-provoking artwork Beans and Chips, a central piece within his series The Last Supper, the artist seamlessly intertwines pharmaceutical aesthetics with culinary symbolism, sparking contemplation on faith, sustenance, and cultural significance. Departing from conventional pharmaceutical labeling, the artwork presents a striking departure with the words "Beans and Chips" prominently featured on the packaging, replacing a typical drug name.

This deliberate fusion of pharmaceutical imagery with a common culinary pairing like "Beans and Chips" invites viewers to delve into deeper layers of interpretation. The humble combination of beans and chips carries with it associations of comfort, simplicity, and everyday sustenance. By incorporating this familiar food duo into pharmaceutical packaging, Hirst encourages reflection on the intersections between nourishment, healing, and the rituals of daily life.

Moreover, the inclusion of Hirst's own name or brand in place of pharmaceutical manufacturers' identities adds an intriguing dimension to the artwork. It prompts viewers to ponder the role of artistic authorship and commercial branding in shaping perceptions of value and authenticity. Through Beans and Chips, Hirst initiates a discourse on the pervasive influence of consumer culture on beliefs and behaviors, urging viewers to critically examine the ways in which everyday objects and symbols shape our understanding of faith and salvation.