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Damien Hirst, H6-2 Grace, 2019

Damien Hirst

H6-2 Grace, 2019
Diasec-mounted Giclée print on aluminium composite panel
39 3/8 x 39 3/8 in
100 x 100 cm
Edition of 50
Series: H6 - The Aspects / Elements
Copyright The Artist
Damien Hirst's piece Grace (H6-2) is a striking exploration of symmetry and symbolism, echoing the meticulous precision seen in his other works. Divided both vertically and horizontally, the composition exudes...
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Damien Hirst's piece Grace (H6-2) is a striking exploration of symmetry and symbolism, echoing the meticulous precision seen in his other works. Divided both vertically and horizontally, the composition exudes a sense of ordered chaos, with disembodied butterfly wings arranged in a kaleidoscopic pattern of vibrant blues. This arrangement, similar to the mathematical divisions in Hirst's Enter the Infinite tapestries, creates a dynamic sense of movement, as if the wings are in a perpetual state of flight.

Butterflies have long been associated with themes of resurrection and spiritual transformation, particularly within Christian iconography. In this context, Grace represents the unmerited favor and mercy of God. Hirst's use of butterfly wings elevates the insect to a symbol of divine grace and beauty, intertwining the delicate wings with profound spiritual meaning.

The artwork draws parallels to stained glass windows, a motif often found in Christian art. Grace features translucent butterfly wings arranged against a dark background. This interplay of light and dark creates a luminous effect, as if the artwork itself is illuminated from within. Through this association, Hirst infuses Grace with a sense of sacredness and reverence, evoking the spiritual depth of stained glass.

Hirst's fascination with the butterfly motif is evident in Grace, as he continues to explore the insect's universal appeal and symbolic weight. By isolating the wings and arranging them into intricate patterns, Hirst emphasizes the butterfly's beauty and removes it from its earthly context. The repetition of butterfly wings in varying shades of blue creates a mesmerizing effect, resembling specimens in a natural history museum. This scientific aesthetic, combined with the symbolic resonance of the butterfly, offers viewers a multi-layered experience.

In Grace (H6-2), viewers are invited to contemplate the profound symbolism of the butterfly, particularly in the context of grace and divine favor. Hirst's meticulous arrangement of wings, the play of light and dark, and the overall symmetry of the composition create a piece that transcends its subject matter. It is not merely a depiction of butterflies; it is a meditation on spirituality, beauty, and the ephemeral nature of life. Grace, like its namesake, offers viewers a moment of contemplation and reflection amidst the chaos of the world.
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