In Damien Hirst's intriguing artwork Dumpling, a notable piece within his series The Last Supper, the artist skillfully manipulates pharmaceutical aesthetics to provoke contemplation on themes of faith, consumption, and cultural identity. Departing from conventional pharmaceutical labels, the artwork presents a striking reimagining with the word "Dumpling" adorning the packaging in lieu of a traditional drug name.

This choice to replace pharmaceutical terminology with a culinary reference like "Dumpling" infuses the artwork with layers of meaning. The dumpling, a culinary staple across cultures and cuisines, takes on symbolic significance beyond its mere gastronomic function. By integrating this everyday food item into the context of pharmaceutical packaging, Hirst prompts viewers to reconsider the intersections between sustenance, healing, and cultural symbolism.

Moreover, the inclusion of Hirst's own name or brand in place of pharmaceutical manufacturers' identities adds an additional dimension to the artwork. It invites viewers to reflect on the role of artistic authorship and commercial branding in shaping perceptions of value and authenticity. Through Dumpling, Hirst prompts viewers to examine the pervasive influence of consumer culture on beliefs and behaviors, inviting a deeper exploration of the complexities inherent in contemporary society.