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Andy Warhol
Flash - November 22 , 1963 F.S. II 32 - 42, 1968
Portfolio of eleven screen prints , colophon and Teletype text on paper
21 x 21 in (each)
53.3 x 53.3 cm (each)
53.3 x 53.3 cm (each)
Edition of 200 plus 26 numbered in Roman Numerals , 10 Lettered A - J have three additional screen prints , each of which is a composite of images F.S. II 33 and F.S. II 38
Series: Flash
Copyright The Artist
Andy Warhol's Flash Portfolio represents a significant milestone in his career, showcasing both his artistic innovation and his entrepreneurial spirit. Created in collaboration with the renowned German publisher Hans Werner...
Andy Warhol's Flash Portfolio represents a significant milestone in his career, showcasing both his artistic innovation and his entrepreneurial spirit. Created in collaboration with the renowned German publisher Hans Werner Kalkmann in 1968, the Flash Portfolio consists of 11 prints, each featuring striking images that encapsulate Warhol's iconic style and thematic concerns.
The Flash Portfolio is characterized by its bold and vibrant imagery, which often features celebrities, cultural icons, and everyday objects rendered in Warhol's distinctive pop art aesthetic. Among the subjects depicted in the portfolio are Marilyn Monroe, Mao Zedong, Campbell's Soup cans, and electric chairs, all of which serve as potent symbols of consumer culture, mass media, and the commodification of fame.
One of the most notable prints in the Flash Portfolio is "Flash - November 22, 1963," which features a haunting image of Jacqueline Kennedy Onassis moments after the assassination of her husband, President John F. Kennedy. This print exemplifies Warhol's fascination with the intersection of tragedy and celebrity, as well as his exploration of the power of images to shape public perception and memory.
The Flash Portfolio also includes prints that reflect Warhol's interest in the transformative potential of mass media and technology. For example, "Electric Chair" depicts a stark and arresting image of an electric chair, highlighting Warhol's preoccupation with themes of mortality, violence, and the spectacle of death in contemporary society.
In addition to its artistic significance, the Flash Portfolio is notable for its innovative printing techniques. Each print in the portfolio was produced using Warhol's signature silk-screening process, which allowed him to create multiple variations of the same image with subtle differences in color and composition. This technique not only facilitated the mass production of Warhol's artwork but also underscored his interest in the reproducibility of images and the democratization of art.
The Flash Portfolio remains a testament to Warhol's enduring influence on contemporary art and culture, serving as a reminder of his ability to capture the zeitgeist of his era and to challenge conventional notions of art and celebrity. With its bold imagery, innovative techniques, and provocative subject matter, the Flash Portfolio continues to captivate audiences and inspire new generations of artists and art enthusiasts alike.
The Flash Portfolio is characterized by its bold and vibrant imagery, which often features celebrities, cultural icons, and everyday objects rendered in Warhol's distinctive pop art aesthetic. Among the subjects depicted in the portfolio are Marilyn Monroe, Mao Zedong, Campbell's Soup cans, and electric chairs, all of which serve as potent symbols of consumer culture, mass media, and the commodification of fame.
One of the most notable prints in the Flash Portfolio is "Flash - November 22, 1963," which features a haunting image of Jacqueline Kennedy Onassis moments after the assassination of her husband, President John F. Kennedy. This print exemplifies Warhol's fascination with the intersection of tragedy and celebrity, as well as his exploration of the power of images to shape public perception and memory.
The Flash Portfolio also includes prints that reflect Warhol's interest in the transformative potential of mass media and technology. For example, "Electric Chair" depicts a stark and arresting image of an electric chair, highlighting Warhol's preoccupation with themes of mortality, violence, and the spectacle of death in contemporary society.
In addition to its artistic significance, the Flash Portfolio is notable for its innovative printing techniques. Each print in the portfolio was produced using Warhol's signature silk-screening process, which allowed him to create multiple variations of the same image with subtle differences in color and composition. This technique not only facilitated the mass production of Warhol's artwork but also underscored his interest in the reproducibility of images and the democratization of art.
The Flash Portfolio remains a testament to Warhol's enduring influence on contemporary art and culture, serving as a reminder of his ability to capture the zeitgeist of his era and to challenge conventional notions of art and celebrity. With its bold imagery, innovative techniques, and provocative subject matter, the Flash Portfolio continues to captivate audiences and inspire new generations of artists and art enthusiasts alike.
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Andy Warhol, Flash - November 22 , 1963 F.S. II 42, 1968
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Andy Warhol, Flash - November 22 , 1963 F.S. II 34, 1968
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Andy Warhol, Flash - November 22 , 1963 F.S. II 35, 1968
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Andy Warhol, Flash - November 22 , 1963 F.S. II 32, 1968
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Andy Warhol, Flash - November 22 , 1963 F.S. II 36, 1968
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Andy Warhol, Flash - November 22 , 1963 F.S. II 33, 1968
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Andy Warhol, Flash - November 22 , 1963 F.S. II 38, 1968
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Andy Warhol, Flash - November 22 , 1963 F.S. II 37, 1968
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Andy Warhol, Flash - November 22 , 1963 F.S. II 41, 1968
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Andy Warhol, Flash - November 22 , 1963 F.S. II 40, 1968
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