
Richard Pettibone
Marcel Duchamp Bicycle Wheel, 1913 Prototype, 1965
Painted wood stool, bicycle wheel rim and forks
50 x 23 5/8 x 12 7/8 in
127 x 60 x 32.7 cm
127 x 60 x 32.7 cm
Copyright The Artist
Richard Pettibone is a significant figure in the realm of contemporary art, known for his meticulous appropriations and miniature replicas of works by iconic artists such as Andy Warhol, Roy...
Richard Pettibone is a significant figure in the realm of contemporary art, known for his meticulous appropriations and miniature replicas of works by iconic artists such as Andy Warhol, Roy Lichtenstein, Frank Stella, and Marcel Duchamp, among others. His oeuvre engages with the themes of originality, authorship, and the commodification of art, challenging the boundaries between creation and reproduction in a unique and thought-provoking manner.
Pettibone emerged in the 1960s, a time when the art world was experiencing seismic shifts with the advent of Pop Art and the expanding influence of conceptual art practices. By appropriating and recontextualizing the works of other artists, Pettibone's creations are not mere copies but dialogues with the originals, offering commentary on the nature of art in the age of mechanical reproduction. His pieces, often scaled down to a more intimate size, invite viewers to reconsider their relationship with art, prompting reflections on the value of originality in a culture saturated with reproductions.
The sale of Richard Pettibone's works at auction reflects his established position in the art market and the enduring interest in his critical engagement with the art world's mechanisms. His works have been included in major auctions at prestigious houses, where they have garnered significant attention and commanded impressive prices. These sales not only underscore Pettibone's relevance and appeal to collectors but also highlight the paradox at the heart of his practice: while his work questions the commodification of art, it itself circulates within the very market it critiques.
Museum exhibitions have played a crucial role in cementing Pettibone's legacy and introducing his work to broader audiences. His pieces have been featured in numerous solo and group exhibitions around the world, including at key institutions dedicated to contemporary art. These exhibitions often explore Pettibone's role in the development of appropriation art and his influence on subsequent generations of artists. By situating his work within the broader context of art history, these shows provide valuable insights into Pettibone's artistic strategies and the thematic concerns that drive his practice.
Richard Pettibone's contributions to contemporary art are manifold. Through his innovative appropriations, he has created a body of work that persistently interrogates the concepts of originality and authenticity. His paintings, while referencing the works of others, emerge as singular creations that reflect on the art world's complexities. The auction sales and museum exhibitions of Pettibone's work not only affirm his significance within the art historical canon but also continue to spark conversations about the nature of art in contemporary society.
Pettibone emerged in the 1960s, a time when the art world was experiencing seismic shifts with the advent of Pop Art and the expanding influence of conceptual art practices. By appropriating and recontextualizing the works of other artists, Pettibone's creations are not mere copies but dialogues with the originals, offering commentary on the nature of art in the age of mechanical reproduction. His pieces, often scaled down to a more intimate size, invite viewers to reconsider their relationship with art, prompting reflections on the value of originality in a culture saturated with reproductions.
The sale of Richard Pettibone's works at auction reflects his established position in the art market and the enduring interest in his critical engagement with the art world's mechanisms. His works have been included in major auctions at prestigious houses, where they have garnered significant attention and commanded impressive prices. These sales not only underscore Pettibone's relevance and appeal to collectors but also highlight the paradox at the heart of his practice: while his work questions the commodification of art, it itself circulates within the very market it critiques.
Museum exhibitions have played a crucial role in cementing Pettibone's legacy and introducing his work to broader audiences. His pieces have been featured in numerous solo and group exhibitions around the world, including at key institutions dedicated to contemporary art. These exhibitions often explore Pettibone's role in the development of appropriation art and his influence on subsequent generations of artists. By situating his work within the broader context of art history, these shows provide valuable insights into Pettibone's artistic strategies and the thematic concerns that drive his practice.
Richard Pettibone's contributions to contemporary art are manifold. Through his innovative appropriations, he has created a body of work that persistently interrogates the concepts of originality and authenticity. His paintings, while referencing the works of others, emerge as singular creations that reflect on the art world's complexities. The auction sales and museum exhibitions of Pettibone's work not only affirm his significance within the art historical canon but also continue to spark conversations about the nature of art in contemporary society.