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Yves Klein, Petite Venus, 1956/1957

Yves Klein

Petite Venus, 1956/1957
Brass pin, International Klein Blue Pigment, Gold Leaf, and Acrylic
5 x 3.5 x 3.5 Inches
Edition of 500
Series: Sculptures
Copyright The Artist
View on a Wall
Yves Klein, a pioneering French artist known for his profound influence on contemporary art, created Petite Vénus as part of his celebrated body of work. This sculpture, crafted in 1961,...
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Yves Klein, a pioneering French artist known for his profound influence on contemporary art, created Petite Vénus as part of his celebrated body of work. This sculpture, crafted in 1961, embodies Klein's fascination with the ethereal and the immaterial. Petite Vénus represents a significant departure from traditional representations of Venus, the Roman goddess of love and beauty. Unlike the classical interpretations that emphasize detailed realism and idealized human forms, Klein's Petite Vénus is an abstract piece that encapsulates his unique artistic vision and his innovative use of color.


The sculpture is cast in Klein's iconic International Klein Blue (IKB), a deep ultramarine pigment that he famously patented. This color choice is not merely aesthetic but philosophical, reflecting Klein's belief in the spiritual and transcendent qualities of pure color. By enveloping Petite Vénus in IKB, Klein aimed to evoke an experience of the infinite and the sublime, inviting viewers to look beyond the physical form and consider the boundless nature of the void. The smooth, monochromatic surface of the sculpture challenges the observer to engage with the work on a more meditative and introspective level.


Yves Klein's Petite Vénus remains a powerful testament to his revolutionary approach to art and his quest to explore the metaphysical dimensions of human experience. The piece encapsulates Klein's innovative spirit and his ability to transcend conventional artistic boundaries. Petite Vénus continues to inspire and provoke thought, highlighting Klein's enduring legacy as a visionary artist who dared to redefine the relationship between color, form, and meaning in the modern era.

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