Flowers (Hand-colored) (F & S II.116) is part of Andy Warhol’s 1974 Hand-Colored Flowers portfolio, a ten-print series that represents a rare departure from the bold, mechanical imagery that defined his Pop Art fame. This series evolved from Warhol’s earlier *Black and White Flowers*, both of which draw their floral motifs from the wallpaper catalog *Interpretive Flower Designs*. While the earlier series emphasized clean linework and composition, the Hand-Colored version reintroduces color in a vibrant yet fluid form.

In Flowers (Hand-colored) (F & S II.116), Warhol applies Dr. Martin’s aniline watercolor dyes with a loose, expressive touch. The colors, allowed to flow freely across the paper, bring energy and spontaneity to the precise outlines, transforming each print into a lively still life. This method merges design with improvisation, creating a compelling tension between control and freedom.

Unlike the mass-produced aesthetic of his Campbell’s Soup cans or Coca-Cola bottles, this work harkens back to Warhol’s early years as a commercial illustrator. The hand-drawn, hand-colored approach reflects a more personal, intimate side of the artist—one often hidden beneath the surface of his more iconic imagery. Through subtle shading and nuanced hues, Warhol reclaims a tactile connection to his subject, offering a glimpse of the artist behind the art.

Flowers (Hand-colored) (F & S II.116) is a testament to Warhol’s versatility and depth. It stands out in his vast body of work as a quiet, expressive gesture—one that captures both the fragility of nature and the enduring presence of the artist’s hand.

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