
Andy Warhol
Campbell's Soup Can (Tomato) F.S. IIIA.5, ca . 1978
Screen print on Mowhawk Superfine Paper
45 1/8 x 35 1/8 in
114.6 x 89.2 cm
114.6 x 89.2 cm
Unique
Series: Unpublished Prints
Copyright The Artist
Andy Warhol's tomato soup screen print a cultural icon, but it's also a significant piece in the world of art investment and appreciation. Since its creation in 1968, the Campbell's...
Andy Warhol's tomato soup screen print a cultural icon, but it's also a significant piece in the world of art investment and appreciation. Since its creation in 1968, the Campbell's Soup series, including the tomato soup print, has become highly sought after by collectors and investors alike.
The historical investment value of Warhol's tomato soup print stems from its status as a pioneering work of Pop Art, a movement that revolutionized the art world in the 20th century. As one of Warhol's most recognizable and iconic series, the Campbell's Soup prints hold a special place in the canon of contemporary art.
Over the years, the value of Warhol's tomato soup screen print has appreciated significantly, reflecting its enduring relevance and cultural significance. Auction houses and art galleries around the world have showcased these prints, with prices often reaching millions of dollars for original pieces in excellent condition.
The investment appeal of Warhol's tomato soup print lies not only in its artistic merit but also in its historical significance and market demand. As a limited edition work by a renowned artist, the print offers collectors the opportunity to own a piece of art history while potentially enjoying significant financial returns over time.
Moreover, the tomato soup print's universal appeal and iconic imagery ensure its enduring popularity among art enthusiasts and collectors of all backgrounds. Whether displayed in a museum, gallery, or private collection, Warhol's tomato soup print continues to captivate audiences and spark conversations about the intersection of art, commerce, and culture.
In summary, Andy Warhol's tomato soup screen print is not only a cultural masterpiece but also a valuable investment that has appreciated in value over time. Its historical significance, artistic merit, and market demand make it a coveted piece for collectors seeking to acquire a piece of Pop Art history. As the art world continues to evolve, Warhol's tomato soup print remains a timeless symbol of innovation and creativity, enticing collectors with its enduring appeal and potential for financial growth.
The historical investment value of Warhol's tomato soup print stems from its status as a pioneering work of Pop Art, a movement that revolutionized the art world in the 20th century. As one of Warhol's most recognizable and iconic series, the Campbell's Soup prints hold a special place in the canon of contemporary art.
Over the years, the value of Warhol's tomato soup screen print has appreciated significantly, reflecting its enduring relevance and cultural significance. Auction houses and art galleries around the world have showcased these prints, with prices often reaching millions of dollars for original pieces in excellent condition.
The investment appeal of Warhol's tomato soup print lies not only in its artistic merit but also in its historical significance and market demand. As a limited edition work by a renowned artist, the print offers collectors the opportunity to own a piece of art history while potentially enjoying significant financial returns over time.
Moreover, the tomato soup print's universal appeal and iconic imagery ensure its enduring popularity among art enthusiasts and collectors of all backgrounds. Whether displayed in a museum, gallery, or private collection, Warhol's tomato soup print continues to captivate audiences and spark conversations about the intersection of art, commerce, and culture.
In summary, Andy Warhol's tomato soup screen print is not only a cultural masterpiece but also a valuable investment that has appreciated in value over time. Its historical significance, artistic merit, and market demand make it a coveted piece for collectors seeking to acquire a piece of Pop Art history. As the art world continues to evolve, Warhol's tomato soup print remains a timeless symbol of innovation and creativity, enticing collectors with its enduring appeal and potential for financial growth.
%3Cdiv%20class%3D%22artist%22%3EAndy%20Warhol%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ECampbell%27s%20Soup%20Can%20%28Tomato%29%20F.S.%20IIIA.5%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3Eca%20.%201978%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EScreen%20print%20on%20Mowhawk%20Superfine%20Paper%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E45%201/8%20x%2035%201/8%20in%3Cbr/%3E%0A114.6%20x%2089.2%20cm%3C/div%3E%3Cdiv%20class%3D%22edition_details%22%3EUnique%3C/div%3E%3Cdiv%20class%3D%22series%22%3E%3Cspan%20class%3D%22artwork_caption_prefix%22%3ESeries%3A%3C/span%3E%20Unpublished%20Prints%3C/div%3E
Related artworks
-
Andy Warhol, Self-Portrait F.S. IIIA 10, 1978
-
Andy Warhol, SAS Passenger Ticket, 1968
-
Andy Warhol, Poinsettias F.S. IIIA 52 , 1983
-
Andy Warhol, Poinsettias F.S. IIIA 51, 1983
-
Andy Warhol, Poinsettias F.S. IIIA 50, 1983
-
Andy Warhol, Beware Of Dog F.S. IIIA 48, 1983
-
Andy Warhol, Caution Remove Or Bend Over Projecting Nails F.S. IIIA 47 , 1983
-
Andy Warhol, New York Post (Judge Blasts Lynch) F.S. IIIA 46, 1983
-
Andy Warhol, Candy Box (Closed and Open) F.S. IIIA 45 , 1983
-
Andy Warhol, Candy Box (Lamston's 85 (Cents) F.S. IIIA 44, 1983
-
Andy Warhol, Candy Box (Open) F.S. IIIA 42 , 1983
-
Andy Warhol, Candy Box (Closed) F.S. IIIA 42 , 1983
-
Andy Warhol, Candy Box (Closed) F.S. IIIA 42 , 1983
-
Andy Warhol, Fish F.S. IIIA 41, 1983
-
Andy Warhol, Fish F.S. IIIA 40, 1983
-
Andy Warhol, Daisy F.S. IIIA 38, 1982
-
Andy Warhol, Daisy F.S. IIIA 38, 1982
-
Andy Warhol, Flower For Tacoma Dome F.S. IIIA 37, 1982
-
Andy Warhol, Torso (Double) F.S. IIIA 35 , 1982
-
Andy Warhol, Torso (Double) F.S. IIIA 35 , 1982
-
Andy Warhol, Gun F.S. IIIA 34 (A), 1982
-
Andy Warhol, Gun F.S. IIIA 34 (B) , 1982
-
Andy Warhol, Knives F.S. IIIA 32, 1982
-
Andy Warhol, Querelle F.S. IIIA 27 (B) , 1982
-
Andy Warhol, Gem F.S. IIIA 17 (A) , 1978
-
Andy Warhol, Studio 54 Complimentary Drink Invitation F.S. IIIA 16 , 1978
-
Andy Warhol, Flowers F.S. IIIA 14 (C) , 1978
-
Andy Warhol, Mona Lisa F.S. IIIA 13 (B) , 1978
-
Andy Warhol, Kellogg's Cornflakes F.S. IIIA 12 (A), 1978
-
Andy Warhol, Car Crash F.S. IIIA 9 (A), 1978
-
Andy Warhol, Mao F.S. IIIA 6 , 1978
-
Andy Warhol, Keith Haring, 1986
-
Andy Warhol, Fish III.A 39, 1983
-
Andy Warhol, Skull F.S. IIIA 1 (A), 1976
-
Andy Warhol, Daily News F.S. IIIB 1, 1967
-
Andy Warhol, Marilyn Monroe (Marilyn) F.S. IIIA 3 (B), 1978
-
Andy Warhol, Marilyn Monroe (Marilyn) F.S. IIIA 3 (A), 1978
Join our mailing list
* denotes required fields
We will process the personal data you have supplied in accordance with our privacy policy (available on request). You can unsubscribe or change your preferences at any time by clicking the link in our emails.
521 W 26th Street
5th Floor
New York, NY 10001
Monday - Friday 10am - 5pm
Open Saturday by appointment only
info@guyhepner.com
+1 (212) 226 8680
177 10th Avenue
Ground Floor
New York, NY 10001
Tuesday - Friday 10am - 5pm
Saturday 11am - 5pm
info@guyhepner.com
+1 (212) 500 8190
Instagram, opens in a new tab.
Join the mailing list
Facebook, opens in a new tab.
Twitter, opens in a new tab.
Youtube, opens in a new tab.
Tiktok, opens in a new tab.
This website uses cookies
This site uses cookies to help make it more useful to you. Find out more about cookies.