Roy Lichtenstein's "Imperfect" print series, created during the mid-1980s, represents a significant departure from the artist's earlier work, which was heavily inspired by comic strips and advertising imagery. The "Imperfect" series reflects Lichtenstein's exploration of more abstract and conceptual art forms, demonstrating his ongoing engagement with and commentary on the nature of art and perception.
This series is characterized by its use of irregularly shaped canvases and prints, breaking away from the traditional rectangular formats. The "Imperfect" series incorporates geometric shapes, bold lines, and Lichtenstein's signature Ben-Day dots, yet these elements are deployed in ways that challenge and distort the viewer's expectations of spatial coherence and perspective.
One of the defining features of the "Imperfect" series is its playful engagement with the concept of the art frame and the edge of the canvas. Lichtenstein intentionally disrupts the conventional boundaries of his artworks by extending lines and shapes beyond the expected confines of the canvas, creating compositions that seem to defy their limitations. This approach can be seen as a commentary on the constraints of artistic expression and the arbitrary nature of the boundaries we impose on art.
The use of bright, contrasting colors alongside black and white elements is another hallmark of the series, maintaining a visual connection to Lichtenstein's earlier pop art works while also emphasizing the abstract qualities of the compositions. The "Imperfect" series often includes juxtapositions of curved and straight lines, geometric forms, and fragmented elements, creating a dynamic tension within each piece.
In creating the "Imperfect" series, Lichtenstein was not only questioning the traditional parameters of painting but also engaging with broader conceptual issues in art. The series reflects his interest in the relationships between art, the viewer, and the context in which art is experienced. By altering the shape of the canvas and the composition of his works, Lichtenstein invites viewers to reconsider their expectations and assumptions about what constitutes a complete or perfect artwork.
The "Imperfect" series is a testament to Roy Lichtenstein's innovative spirit and his commitment to exploring new ideas and forms within his artistic practice. It stands as an important body of work within his oeuvre, highlighting his ability to evolve and experiment while continuing to engage with the visual language of pop art and abstraction.