Guy Hepner
Skip to main content
  • Menu
  • Artists
  • Artworks
  • Exhibitions
  • News
  • About
  • Shop
  • Video
  • Consign
Cart
0 items $
Checkout

Item added to cart

View cart & checkout
Continue shopping
Menu

Postwar

  • All
  • Contemporary
  • Emerging
  • Photography
  • Postwar
  • Urban
Keith Haring, Untitled (Littmann PP. 28), 1983

Keith Haring

Untitled (Littmann PP. 28), 1983
Woodcut
24 x 30 in
61 x 76.2 cm
Edition of 60
Series: Untitled
Copyright The Artist
View on a Wall
Keith Haring's artistic vocabulary is defined by his iconic and instantly recognizable line work, which serves as the cornerstone of his visual language. Bold, dynamic, and full of vitality, Haring's...
Read more

Keith Haring's artistic vocabulary is defined by his iconic and instantly recognizable line work, which serves as the cornerstone of his visual language. Bold, dynamic, and full of vitality, Haring's lines are a testament to his unparalleled ability to communicate complex ideas with utmost simplicity.

Characterized by its energetic fluidity, Haring's lines possess a unique rhythm and spontaneity that captivate the viewer's attention. Executed with remarkable precision and confidence, these lines effortlessly flow across the canvas, creating a sense of movement and life within his compositions.

Haring's use of lines is deliberate yet spontaneous, often crafted in a swift, continuous motion, reflecting his deep connection to street art and the immediacy of his artistic process. Employing thick and bold strokes, Haring's lines form a visual tapestry that intertwines figures, shapes, and symbols, conveying a multitude of emotions and narratives.

The simplicity of his lines belies their profound impact, as they encapsulate a wide array of themes and messages. Whether depicting dancing figures, radiant babies, barking dogs, or other symbolic forms, Haring's lines transcend cultural and linguistic barriers, speaking a universal language that resonates with people from diverse backgrounds.

Beyond their aesthetic appeal, Haring's lines serve as a vehicle for social commentary and activism. He used his art as a platform to address pressing issues such as AIDS awareness, apartheid, and human rights, infusing his bold lines with profound messages of unity, love, and activism.

Haring's line work is not just an artistic technique; it's a visual language that embodies joy, movement, and the human experience. Its simplicity invites interpretation and connection, inviting viewers to engage with the artwork on a personal and emotional level, fostering a dialogue that continues to inspire and resonate with audiences worldwide.

Keith Haring's legacy lives on through his distinctive line work, a testament to his artistic vision and enduring impact on the art world, inviting us to celebrate the power of art as a catalyst for social change and human connection.


Close full details
Inquire
%3Cdiv%20class%3D%22artist%22%3EKeith%20Haring%3C/div%3E%3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EUntitled%20%28Littmann%20PP.%2028%29%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E1983%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EWoodcut%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E24%20x%2030%20in%3Cbr/%3E%0A61%20x%2076.2%20cm%3C/div%3E%3Cdiv%20class%3D%22edition_details%22%3EEdition%20of%2060%3C/div%3E%3Cdiv%20class%3D%22series%22%3E%3Cspan%20class%3D%22artwork_caption_prefix%22%3ESeries%3A%3C/span%3E%20Untitled%3C/div%3E
Previous
|
Next
423 
of  1255
Related artworks
  • Keith Haring, Untitled (Love), 1989
    Keith Haring, Untitled (Love), 1989
  • Keith Haring, Untitled (Medusa) (Littmann PP . 54-55), 1986
    Keith Haring, Untitled (Medusa) (Littmann PP . 54-55), 1986
  • Keith Haring, Untitled (Littmann PP. 62) , 1986
    Keith Haring, Untitled (Littmann PP. 62) , 1986
  • Keith Haring, Untitled 1 (Littmann PP. 74), 1987
    Keith Haring, Untitled 1 (Littmann PP. 74), 1987
  • Keith Haring, Untitled (Cup Man) (Littmann PP. 116-117), 1989
    Keith Haring, Untitled (Cup Man) (Littmann PP. 116-117), 1989
  • Keith Haring, Untitled (Man on Dolphin) (Littmann PP. 84), 1987
    Keith Haring, Untitled (Man on Dolphin) (Littmann PP. 84), 1987
  • Keith Haring, Untitled (Fight AIDS Worldwide) , 1990
    Keith Haring, Untitled (Fight AIDS Worldwide) , 1990
  • Keith Haring, Untitled (4 United Nations International Volunteer Day) (Littmann PP. 93), 1988
    Keith Haring, Untitled (4 United Nations International Volunteer Day) (Littmann PP. 93), 1988
  • Keith Haring, Untitled (Littmann PP. 29), 1983
    Keith Haring, Untitled (Littmann PP. 29), 1983
  • Keith Haring, Untitled (1988 Man) (Littmann PP. 92) , 1988
    Keith Haring, Untitled (1988 Man) (Littmann PP. 92) , 1988
  • Keith Haring, USA 19-82 (Littmann PP. 17), 1982
    Keith Haring, USA 19-82 (Littmann PP. 17), 1982
  • Keith Haring, Untitled (Wedding Invitation) (Littmann PP. 92), 1988
    Keith Haring, Untitled (Wedding Invitation) (Littmann PP. 92), 1988
  • Keith Haring, Untitled 2 (Littmann PP. 74), 1987
    Keith Haring, Untitled 2 (Littmann PP. 74), 1987
  • Keith Haring, Untitled IV (Littmann PP. 20) , 1982
    Keith Haring, Untitled IV (Littmann PP. 20) , 1982
  • Keith Haring, Untitled III (Littmann PP. 20) , 1982
    Keith Haring, Untitled III (Littmann PP. 20) , 1982
  • Keith Haring, Untitled (Littmann PP. 50), 1985
    Keith Haring, Untitled (Littmann PP. 50), 1985
  • Keith Haring, Untitled I (Littmann PP. 19) , 1982
    Keith Haring, Untitled I (Littmann PP. 19) , 1982
  • Keith Haring, Untitled II (Littmann PP. 19) , 1982
    Keith Haring, Untitled II (Littmann PP. 19) , 1982
  • Keith Haring, Untitled V (Littmann PP. 21) , 1982
    Keith Haring, Untitled V (Littmann PP. 21) , 1982
  • Keith Haring, Untitled VI (Littmann PP. 21) , 1982
    Keith Haring, Untitled VI (Littmann PP. 21) , 1982
  • Keith Haring, Untitled (Doubleman) (Littmann PP. 62) , 1986
    Keith Haring, Untitled (Doubleman) (Littmann PP. 62) , 1986
  • Keith Haring, Untitled (Littmann PP. 51), 1985
    Keith Haring, Untitled (Littmann PP. 51), 1985
  • Keith Haring, Untitled 3 (Littmann PP. 75), 1987
    Keith Haring, Untitled 3 (Littmann PP. 75), 1987
  • Keith Haring, Untitled (Littmann PP. 72), 1987
    Keith Haring, Untitled (Littmann PP. 72), 1987
  • Keith Haring, Untitled 1-4 (Littmann PP. 74-75), 1987
    Keith Haring, Untitled 1-4 (Littmann PP. 74-75), 1987
  • Keith Haring, Untitled 4 (Littmann PP. 75), 1987
    Keith Haring, Untitled 4 (Littmann PP. 75), 1987
  • Keith Haring, Untitled (Littmann PP. 85), 1987
    Keith Haring, Untitled (Littmann PP. 85), 1987

Join our mailing list

Submit

* denotes required fields

We will process the personal data you have supplied in accordance with our privacy policy (available on request). You can unsubscribe or change your preferences at any time by clicking the link in our emails.

521 W 26th Street
5th Floor
New York, NY 10001

Monday - Friday 10am - 5pm
Open Saturday by appointment only

info@guyhepner.com
+1 (212) 226 8680

177 10th Avenue
Ground Floor
New York, NY 10001

Tuesday - Friday 10am - 5pm
Saturday 11am - 5pm

info@guyhepner.com
+1 (212) 500 8190

50 Grosvenor Hill,
Mayfair, 
London, W1K 3QT

By appointment
 

info@guyhepner.com
+44 (0)20 3411 0108

  • Menu
  • Artists
  • Artworks
  • Exhibitions
  • News
  • About
  • Shop
  • Video
  • Consign
Instagram, opens in a new tab.
Join the mailing list
Facebook, opens in a new tab.
Twitter, opens in a new tab.
Youtube, opens in a new tab.
Tiktok, opens in a new tab.
Accessibility Policy
Cookie Policy
Manage cookies
Terms & Conditions
© Guy Hepner
Site by Artlogic

This website uses cookies
This site uses cookies to help make it more useful to you. Find out more about cookies.

Manage cookies
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences