Pablo Picasso
Pablo Picasso’s Pichet à glace exemplifies the artist’s ability to transform a functional vessel into a living work of art. Created at the Madoura pottery workshop in Vallauris, this ceramic pitcher - whose name translates to “ice jug” - reflects Picasso’s playful mastery of form and his deep engagement with classical themes.
The piece combines utility with imagination: its sculptural shape and painted decoration blur the line between object and character, suggesting faces, animals, or mythic figures emerging from its contours. Rendered in warm earthen tones and expressive glazes, Pichet à glace captures the spontaneity and humor that defined Picasso’s ceramic work.
As with much of his pottery, the jug reveals the artist’s delight in reinvention - melding ancient craft with modern spirit. In Pichet à glace, clay becomes both canvas and sculpture, a celebration of Picasso’s boundless creativity and his ability to find art in even the most everyday forms.
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Pablo PicassoBouquet à la pomme , 1956 -
Pablo PicassoCorrida sur fond noir, 1953 -
Pablo PicassoCentaure, 1956 -
Pablo PicassoFemmes et toréador, 1968 -
Pablo PicassoFigure de proue, 1952 -
Pablo PicassoPaysage, 1953 -
Pablo PicassoPicador, 1952 -
Pablo PicassoVisage géométrique, 1956 -
Pablo PicassoVisage, 1965 -
Pablo PicassoDanseurs, 1956 -
Pablo PicassoVisage no. 197, 1963 -
Pablo PicassoVisage, 1963 -
Pablo PicassoVisage gravé , 1948 -
Pablo PicassoVisage au nez pincé, 1959 -
Pablo PicassoVisage, 1955 -
Pablo PicassoDeux Oiseaux, 1963 -
Pablo PicassoGothic Pitcher with Leaves | Pichet gothique aux feuilles, 1952 -
Pablo PicassoPlongeurs, 1956 -
Pablo PicassoFemme échevelée, 1963 -
Pablo PicassoProfil de Jacqueline, 1956 -
Pablo PicassoProfil de Jacqueline, 1956 -
Pablo PicassoTaureau sous l'arbre, 1952 -
Pablo PicassoService visage noir, 1948 -
Pablo PicassoToros, 1952 -
Pablo PicassoTaureau, marli aux feuilles, 1957
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