In OutRun: Big Oil (3.5" Disk), Arlo Sinclair merges gaming nostalgia with biting environmental critique, transforming Sega’s classic arcade racer into a sharp commentary on climate change and the politics of denial. The floppy disk, rendered in Sinclair’s characteristically meticulous realism, bears a reimagined label for the 1986 driving game OutRun. Here, palm trees and sunlit highways are interrupted by subversive text: “Make CO₂ Great Again” blares across a red campaign button, while the fine print warns that the game is “Training Future Climate Deniers, One Ride At A Time.”

By appropriating the aesthetics of retro gaming, Sinclair exposes the underlying ideologies embedded in consumer entertainment. The carefree joyride promised by OutRun—a symbol of 1980s escapism, excess, and oil-fueled optimism—is reframed as an allegory for the reckless acceleration of fossil fuel dependency. The floppy disk becomes a double-edged relic: a nostalgic reminder of gaming’s golden era and a satirical indictment of the cultural forces that normalized environmental negligence.

As with other works in this series, the peeled, weathered label emphasizes both the fragility and permanence of cultural memory. Sinclair’s attention to surface detail transforms the object into a fossilized testament to corporate hubris and societal shortsightedness. The piece continues his exploration of how obsolete technologies, when recontextualized, illuminate deeper truths about capitalism, politics, and cultural myth-making.

OutRun: Big Oil (3.5" Disk) extends Sinclair’s dialogue between Pop Art traditions and contemporary critique. Like Warhol’s consumerist icons or Barbara Kruger’s confrontational slogans, Sinclair leverages familiar imagery to disrupt nostalgia with satire. The result is an artwork that is playful yet polemical, asking viewers to consider the hidden costs of progress and the games we play—both on-screen and in reality.