![Andy Warhol, Annie Oakley F.S. II 378, from Cowboys and Indians , 1986](https://artlogic-res.cloudinary.com/w_1600,h_1600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/guyhepner/images/view/fb7cd4e8e3c16d0c88434dffbc563418j/guyhepner-andy-warhol-annie-oakley-f.s.-ii-378-from-cowboys-and-indians-1986.jpg)
Andy Warhol
91.4 x 91.4 cm
Andy Warhol's Annie Oakley print is a captivating piece from his iconic Cowboys and Indians series, which he created in the 1980s. This series was one of Warhol's final major projects before his passing in 1987, and it showcases his fascination with American culture, myth, and iconography.
Annie Oakley, born Phoebe Ann Mosey, was an American sharpshooter and exhibition shooter who gained fame in the late 19th and early 20th centuries for her exceptional marksmanship skills. She became a symbol of female empowerment and frontier spirit during a time when such traits were not commonly associated with women. Warhol's decision to include her in his Cowboys and Indians series is significant, as it reflects his interest in exploring and reinterpreting American legends and historical figures.
In Warhol's depiction of Annie Oakley, he employs his signature pop art style, characterized by bold colors, repetition, and appropriation of imagery from popular culture. The print features Oakley's portrait against a vibrant, contrasting background, emphasizing her as a larger-than-life figure. Warhol's use of bright hues and stark contrasts adds a sense of dynamism and energy to the composition, further enhancing Oakley's legendary status.
By incorporating Oakley into his Cowboys and Indians series, Warhol challenges traditional notions of gender and identity while also paying homage to an important figure in American history. Through his unique artistic lens, Warhol invites viewers to reconsider the significance of iconic figures like Annie Oakley and their impact on American culture.
Warhol's Annie Oakley print remains a celebrated work in the realm of contemporary art, continuing to captivate audiences with its bold aesthetic and thought-provoking commentary on American identity and mythology. It serves as a testament to Warhol's enduring influence as an artist and his ability to transform everyday subjects into timeless icons through his art.
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Andy Warhol, Plains Indian Shield F.S. II 382, from Cowboys and Indians , 1986
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Andy Warhol, Northwest Coast Mask F.S. II 380, from Cowboys and Indians , 1986
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Andy Warhol, Kachina Dolls F.S. II 381, from Cowboys and Indians , 1986
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Andy Warhol, Action Picture F.S. II 375, from Cowboys and Indians, 1986
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Andy Warhol, John Wayne F.S. II 377, from Cowboys and Indians, 1986
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Andy Warhol, War Bonnet Indian F.S. II 373, from Cowboys and Indians, 1986
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Andy Warhol, Cowboys and Indians F.S. II 377-386 Cowboys and Indians, 1986
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Andy Warhol, Buffalo Nickel F.S. II 374, from Cowboys and Indians, 1986
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Andy Warhol, General Custer F.S. II 379, from Cowboys and Indians, 1986
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Andy Warhol, Annie Oakley F.S. II 378, from Cowboys and Indians , 1986
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Andy Warhol, Plains Indian Shield F.S. II 382, from Cowboys and Indians , 1986
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Andy Warhol, Northwest Coast Mask F.S. II 380, from Cowboys and Indians , 1986
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Andy Warhol, Teddy Roosevelt F.S. II 386, from Cowboys and Indians , 1986
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Andy Warhol, Mother and Child F.S. II 383, from Cowboys and Indians , 1986
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Andy Warhol, Kachina Dolls F.S. II 381, from Cowboys and Indians , 1986
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Andy Warhol, Indian Head Nickel F.S.II 385, from Cowboys and Indians , 1986
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Andy Warhol, Geronimo F.S. II 384, from Cowboys and Indians, 1986
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Andy Warhol, Sitting Bull F.S.III A 70 , from Cowboys and Indians, 1986
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