
Takashi Murakami
Jellyfish Eyes on White , 2006
Lithograph
19 3/4 x 19 3/4 in
50 x 50 cm
50 x 50 cm
Edition of 300
Series: Jellyfish Eyes
Copyright The Artist
Takashi Murakami's Jellyfish Eyes series is a vibrant collection of prints that encapsulates the artist's distinctive visual style, characterized by its psychedelic flair and deep roots in Japanese popular culture....
Takashi Murakami's Jellyfish Eyes series is a vibrant collection of prints that encapsulates the artist's distinctive visual style, characterized by its psychedelic flair and deep roots in Japanese popular culture. This series showcases prints featuring cartoon eyes rendered in bright, bold colors, emblematic of Murakami's approach that combines graphic motifs—such as smiling flowers and cartoon characters—with an emphasis on flat and glossy surfaces.
The Jellyfish Eyes collection is a testament to Murakami’s fascination with popular culture, particularly the ‘otaku’ subculture associated with computers, anime, and manga, as well as ‘kawaii’ culture, the culture of cuteness. These influences are evident in the playful, engaging nature of the prints, which are designed to appeal both visually and emotionally to a wide audience, reflecting a blend of childlike wonder and sophisticated artistic technique.
Despite his innovative approach to contemporary art, Murakami's background is surprisingly traditional. He studied ‘nihonga’, a traditional Japanese painting style, at the prestigious Tokyo University of Fine Arts and Music, where he not only obtained his Bachelor of Fine Arts but also completed a Master of Fine Arts and a PhD in 1993. His deep academic and technical grounding in traditional Japanese art forms provides a stark contrast to his later works, which boldly diverge from this conventional path.
Murakami’s pivotal shift towards contemporary art styles came after completing his PhD, driven by a lifelong interest in animation and modern cultural expressions. His move to pursue contemporary art was further catalyzed by a fellowship from the Asian Cultural Council in 1994, which brought him to New York City to participate in the PS1 International Studio Program. During his time in New York, Murakami was profoundly influenced by Western contemporary artists like Anselm Kiefer and Jeff Koons. This exposure helped shape his unique artistic language, which adeptly fuses Eastern and Western techniques and aesthetics.
The Jellyfish Eyes series not only highlights Murakami’s ability to blend diverse cultural elements but also underscores his skill in creating art that is accessible and profoundly engaging. By infusing traditional art techniques with contemporary, global influences, Murakami creates works that are both culturally significant and widely appealing, making profound statements about the nature of art and culture in the modern world.
The Jellyfish Eyes collection is a testament to Murakami’s fascination with popular culture, particularly the ‘otaku’ subculture associated with computers, anime, and manga, as well as ‘kawaii’ culture, the culture of cuteness. These influences are evident in the playful, engaging nature of the prints, which are designed to appeal both visually and emotionally to a wide audience, reflecting a blend of childlike wonder and sophisticated artistic technique.
Despite his innovative approach to contemporary art, Murakami's background is surprisingly traditional. He studied ‘nihonga’, a traditional Japanese painting style, at the prestigious Tokyo University of Fine Arts and Music, where he not only obtained his Bachelor of Fine Arts but also completed a Master of Fine Arts and a PhD in 1993. His deep academic and technical grounding in traditional Japanese art forms provides a stark contrast to his later works, which boldly diverge from this conventional path.
Murakami’s pivotal shift towards contemporary art styles came after completing his PhD, driven by a lifelong interest in animation and modern cultural expressions. His move to pursue contemporary art was further catalyzed by a fellowship from the Asian Cultural Council in 1994, which brought him to New York City to participate in the PS1 International Studio Program. During his time in New York, Murakami was profoundly influenced by Western contemporary artists like Anselm Kiefer and Jeff Koons. This exposure helped shape his unique artistic language, which adeptly fuses Eastern and Western techniques and aesthetics.
The Jellyfish Eyes series not only highlights Murakami’s ability to blend diverse cultural elements but also underscores his skill in creating art that is accessible and profoundly engaging. By infusing traditional art techniques with contemporary, global influences, Murakami creates works that are both culturally significant and widely appealing, making profound statements about the nature of art and culture in the modern world.
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