Grayson Perry’s Rainbow Sickness (2020) captures the artist’s signature blend of satirical humor, social commentary, and playful visual language, here realized on fine bone china. Presented in a circular composition, the work brims with whimsical figures, bright colors, and handwritten text that together form a deceptively cheerful façade masking biting critique.

At the center, a pig emblazoned with the reassuring phrase “Everything is going to be alright!” offers a false sense of comfort, while surrounding characters reveal the contradictions and anxieties of contemporary society. Unicorns, winged figures, and cartoon-like animals carry labels such as Capital, Inequality, Tax, and Govt, transforming abstract social and political issues into approachable yet satirical symbols. Perry’s use of humor softens the gravity of these themes but does not obscure them; instead, the viewer is encouraged to laugh while simultaneously reflecting on the absurdities of modern life.

The vibrant palette of neon pinks, greens, and blues echoes Perry’s affinity for folk art aesthetics, bridging the playful surface with underlying critique. Rainbows and smiling faces recall childhood innocence, yet within this “luvverly wuvverly earth” lies a commentary on structural imbalance, social injustice, and the escapism of culture and celebrity.

Executed during a period marked by COVID-19 (notably referenced in the composition), the work situates itself firmly within its historical moment. Perry acknowledges both the disarray and resilience of society, using fine bone china—a traditionally precious and decorative medium—as a subversive vehicle for irony. The choice of material elevates the work beyond satire into a collectible object, while also referencing Perry’s long-standing interest in challenging distinctions between high art and craft.

Rainbow Sickness thus operates on multiple levels: a playful decorative plate, a sharp critique of late capitalism and inequality, and a testament to Perry’s ongoing exploration of humor as a tool for truth-telling. By merging wit, critique, and decorative charm, Perry continues his practice of creating art that is both disarming and deeply provocative.