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Jenny Holzer

  • Overview
  • New In Jenny Holzer Installation Art
  • Buying and Selling Jenny Holzer Through Guy Hepner
  • News
Jenny Holzer

Jenny Holzer

  • Overview
  • New In Jenny Holzer Installation Art
  • Buying and Selling Jenny Holzer Through Guy Hepner
  • News
  • Overview
    Jenny Holzer

    I used language because I wanted to offer content that people - not necessarily art people - could understand.

     

    Jenny Holzer, born on July 29, 1950, in Gallipolis, Ohio, is an esteemed American conceptual and installation artist whose groundbreaking use of text in public spaces has left an indelible mark on the art world. Holzer’s innovative approach spans various media, including electronic signs, carved stone, paintings, billboards, and printed materials, each serving as a platform for her thought-provoking messages.

    Holzer’s educational journey laid the foundation for her unique artistic vision. She studied at Duke University, the University of Chicago, and Ohio University, where she earned a BFA. Further refining her craft, she participated in the Whitney Museum Independent Study Program. This diverse educational background influenced her multidisciplinary approach to art.

    Holzer first garnered attention in the late 1970s with her "Truisms" series, a collection of aphoristic statements anonymously posted throughout New York City. This project established her signature style, using language to challenge perceptions and incite public discourse. Her texts, often direct and confrontational, address themes such as social justice, power dynamics, violence, and human vulnerability.

    Throughout her career, Holzer has continually pushed the boundaries of conceptual art. Her iconic LED installations utilize scrolling texts to engage audiences in both intimate and expansive public spaces. In addition to electronic media, Holzer’s stone carvings and permanent installations merge textual art with sculptural form, creating enduring pieces that provoke reflection and dialogue.

    Holzer’s work is distinguished by the tension she creates between emotion and intellect. Her texts juxtapose stark, factual language with deeply emotional content, exploring the complexities of human experience. This interplay underscores her commentary on both individual and collective realities, examining issues of power, violence, vulnerability, and tenderness.

    Holzer’s contributions to art and public discourse have been widely recognized. She received the prestigious Golden Lion at the Venice Biennale in 1990, highlighting her influence and impact. Her works have been exhibited in major institutions such as the Guggenheim Museum, the Museum of Modern Art, and the Whitney Museum of American Art, and are part of prominent collections worldwide.

    In addition to her exhibitions, Holzer’s projects often inhabit public spaces, reaching diverse audiences and fostering broader engagement with her work. Her large-scale projections on urban architecture and intimate installations in natural settings demonstrate her commitment to making art accessible and relevant to the public.

    Jenny Holzer’s practice transcends conventional artistic boundaries, utilizing language as a powerful tool for social and political commentary. Her work continues to resonate deeply, challenging viewers to consider the complexities of power, justice, and human experience in contemporary society. Holzer’s remarkable career reflects her dedication to provoking thought and inspiring change through art.

  • New In Jenny Holzer Installation Art
    • Jenny Holzer, More Trouble Than Thought, 2021
      Jenny Holzer, More Trouble Than Thought, 2021
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    • Jenny Holzer, My Ally, 2021
      Jenny Holzer, My Ally, 2021
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      %3Cspan%20class%3D%22title%22%3E%3Cspan%20class%3D%22artist%22%3EJenny%20Holzer%3Cspan%20class%3D%22artist_comma%22%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3C/span%3E%3C/span%3E%3Cspan%20class%3D%22title%22%3EMy%20Ally%3Cspan%20class%3D%22title_comma%22%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3C/span%3E%3C/span%3E%3Cspan%20class%3D%22year%22%3E2021%3C/span%3E%3C/span%3E
    • Jenny Holzer, 'Impeach', 2020
      Jenny Holzer, 'Impeach', 2020
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      %3Cspan%20class%3D%22title%22%3E%3Cspan%20class%3D%22artist%22%3EJenny%20Holzer%3Cspan%20class%3D%22artist_comma%22%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3C/span%3E%3C/span%3E%3Cspan%20class%3D%22title%22%3E%27Impeach%27%3Cspan%20class%3D%22title_comma%22%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3C/span%3E%3C/span%3E%3Cspan%20class%3D%22year%22%3E2020%3C/span%3E%3C/span%3E
    • Jenny Holzer, IN A DREAM, 2020
      Jenny Holzer, IN A DREAM, 2020
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  • Buying and Selling Jenny Holzer Through Guy Hepner

    Buying and Selling Jenny Holzer Through Guy Hepner

    Jenny Holzer is an American conceptual artist renowned for her text-based works that explore themes of power, truth, and the human condition. Her art often incorporates bold statements and aphorisms, known as Truisms, which are displayed in a variety of public spaces and mediums, including LED displays, projections, and stone engravings. Holzer’s work challenges viewers to engage critically with language and its role in shaping public discourse and personal thought. Her pieces are characterized by their stark simplicity and profound impact, making powerful statements about society, politics, and the complexities of human emotions. Collectors of Jenny Holzer’s works through Guy Hepner appreciate the artist’s ability to merge art and language, creating thought-provoking pieces that resonate on both intellectual and emotional levels. Each artwork is an invitation to reflect on the world around us and our place within it, highlighting Holzer’s commitment to activism through art. Guy Hepner is honored to offer collectors the chance to buy and sell Jenny Holzer's compelling works, which continue to inspire and provoke meaningful dialogue in contemporary art.

     
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    • Conclusion
    • Essays
    • Projections
    • The Survival Series
    • Truisms
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Jenny Holzer, Conclusion (Set of 6), 2016

Jenny Holzer

Conclusion (Set of 6), 2016
Set of six aquatint and white ground etchings
27 × 21 1/2 in
68.6 × 54.6 cm
Edition of 35
Series: Conclusion
Copyright The Artist
Jenny Holzer’s 'Conclusion' (2016) is a poignant series of six prints that critically examines the United States' involvement in the 'war on terror.' This work references two redacted government documents...
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Jenny Holzer’s "Conclusion" (2016) is a poignant series of six prints that critically examines the United States' involvement in the "war on terror." This work references two redacted government documents that detail foreign and national terrorism threats, embedding the theme of censorship directly into the artwork. Holzer physically removed copper from the printing plates, a process that symbolizes the redaction and suppression of information. This meticulous technique ensures that the concept of censorship is not only visually present but also inherent in the very creation of each piece.


The prints in "Conclusion" evoke the aesthetics of Abstract Expressionism through bold, saturated rectangles in colors such as white, yellow, blue, orange, red, and green. These vibrant shapes hover over textured, painted backgrounds, creating a striking visual contrast. The use of these intense colors and abstract forms serves to draw attention to the underlying themes of the series, juxtaposing the beauty of the artwork with the grave subject matter it addresses. The mark-making in these works echoes the expressive and dynamic techniques characteristic of Abstract Expressionist artists, adding a layer of historical and artistic depth to the series.


Holzer’s "Conclusion" is a powerful commentary on the complexities and obscured truths of governmental actions in the context of terrorism. By incorporating elements of redaction and Abstract Expressionism, Holzer not only highlights issues of censorship and transparency but also invites viewers to reflect on the broader implications of these hidden narratives. The series stands as a testament to Holzer’s ability to merge aesthetic beauty with critical social commentary, continuing her legacy of challenging viewers to engage with and question the world around them.

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