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Overview
Freedom is everything. If you are not free, you're not existing.
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Series
Freedom is everything. If you are not free, you're not existing.
Painting on the wall was absolutely forbidden; it was built 3 metres beyond the official border so the east-German soldiers were able to arrest any person standing near it. Noir had to paint as quickly as possible, using the recipe of ‘two ideas, three colours’ as a celebration of the ‘eternal youth’. Despite their bright colours and playful nature, the murals left a lingering sense of melancholy: As Noir says, “I did nothing but react to its sadness”.
Since the 1980s, Noir’s exploits and highly distinctive visual language have become world famous and immortalised in popular culture such as Wim Wenders’ 1987 film Wings of Desire and the cover of U2’s album Acthung Baby.
Noir’s practice has a strong emphasis on line and aims to simplify forms to their most basic elements. This simplicity reflected the necessity of painting quickly outdoors in a hazardous environment with very real risks to his personal safety. Noir reacted to his environment and his monsters are a metaphor for the Wall itself, each one relating to his experiences or feelings of what he calls a ‘killing machine’.
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