Pyramids by Keith Haring
Having developed a love for drawing at a very early age, Keith Haring gathered inspiration from the popular culture around him to create hundreds of unique drawings which could be found on billboards, in display windows, rooftops but most notably in the New York subways. Keith Haring’s drawings allowed him to communicate with a much larger audience and the subway stations became a ““laboratory” for working out his ideas and experimenting with his simple lines. Keith Haring is recognized for his exclusive use of black and white, and typical use of primary colors, the figures were simplified, and easily recognizable as his. They formed glyphs that could be read, like an urban, tribal language.
When Haring arrived in New York, it was home to a thriving underground art scene. Haring befriended fellow emerging artists like Jean-Michel Basquiat and Kenny Scharf, who shared his interest in the colorful and transgressive graffiti art of the city’s streets. Haring and these other artists organized exhibitions at downtown nightclubs and other alternative locations, where art, music and fashion all came together in a dynamic mix. Haring began using the city as his canvas. Riding the subway, he noticed the black paper rectangles of empty advertising panels on station walls; using white chalk, he began filling these black panels with simple, quickly drawn pictures.
His signature images included dancing figures, a “radiant baby” (a crawling infant emitting rays of light), a barking dog, a flying saucer, large hearts, and figures with televisions for heads. These graffiti drawings attracted the attention of New York commuters, as well as the city authorities: Haring was arrested for vandalism on numerous occasions.Haring soon began to apply his universally recognizable imagery to freestanding drawings and paintings. The energy and optimism of his art, with its bold lines and bright colors, brought him popularity with a wide audience. He had his first solo exhibition in 1981, at the Westbeth Painters Space in Manhattan. In 1982 he began to show his art at the Tony Shafrazi Gallery, which would represent him for the rest of his career. Throughout the 1980s, Haring’s work was exhibited widely both within the United States and internationally. He also collaborated with other artists and performers, including Andy Warhol, Grace Jones and William S. Burroughs.